|
Nothing so true as what you once let fall, |
|
|
“Most Women have no Characters at all.” |
|
|
Matter too soft a lasting mark to bear, |
|
|
And best distinguish’d by black, brown, or fair. |
|
|
|
|
5 |
How many pictures of one Nymph we view, |
|
|
All how unlike each other, all how true! |
|
|
Arcadia’s Countess, here, in ermin’d° pride, |
in expensive nobles’ furs |
|
Is, there, Pastora by a fountain side. |
|
|
Here Fannia, leering on her own good man, |
|
10 |
And there, a naked Leda with a Swan. |
|
|
Let then the Fair one beautifully cry, |
|
|
In Magdalen’s loose hair and lifted eye, |
|
|
Or drest in smiles of sweet Cecilia shine, |
|
|
With simpering Angels, Palms, and Harps divine; |
|
15 |
Whether the Charmer sinner it, or saint it, |
|
|
If Folly grow romantic, I must paint it. |
|
|
|
|
|
Come then, the colours and the ground prepare! |
|
|
Dip in the Rainbow, trick her off in Air; |
|
|
Choose a firm Cloud, before it fall, and in it |
|
20 |
Catch, ere she change, the Cynthia of this minute. |
|
|
|
|
|
Rufa, whose eye quick-glancing o’er the Park, |
|
|
Attracts each light gay meteor of a Spark,° |
attractive man |
|
Agrees as ill with Rufa studying Locke,° |
a philosopher |
|
As Sappho’s diamonds with her dirty smock; |
|
25 |
Or Sappho at her toilet’s° greasy task, |
dressing table |
|
With Sappho fragrant at an evening Masque: |
|
|
So morning Insects that in muck begun, |
|
|
Shine, buzz, and flyblow° in the setting sun. |
lay eggs |
|
|
|
|
How soft is Silia! fearful to offend; |
|
30 |
The Frail one’s advocate, the Weak one’s friend: |
|
|
To her, Calista prov’d her conduct nice; |
|
|
And good Simplicius asks of her advice. |
|
|
Sudden, she storms! she raves! You tip the wink, |
|
|
But spare your censure;° Silia does not drink. |
criticism |
35 |
All eyes may see from what the change arose, |
|
|
All eyes may see—a Pimple on her nose. |
|
|
|
|
|
Papillia, wedded to her amorous° spark,° |
loving — young man |
|
Sighs for the shades—“How charming is a Park!” |
|
|
A Park is purchas’d, but the Fair he sees |
|
40 |
All bath’d in tears — “Oh odious,° odious Trees!” |
hateful |
|
|
|
|
Ladies, like variegated° Tulips, show; |
multi-colored |
|
’Tis to their Changes half their charms we owe; |
|
|
Fine by defect, and delicately weak, |
|
|
Their happy Spots the nice admirer take, |
|
45 |
’Twas thus Calypso once each heart alarm’d, |
|
|
Aw’d without Virtue, without Beauty charmed; |
|
|
Her tongue bewitch’d as oddly as her Eyes, |
|
|
Less Wit than Mimic, more a Wit than wise; |
|
|
Strange graces still, and stranger flights she had, |
|
50 |
Was just not ugly, and was just not mad; |
|
|
Yet ne’er so sure our passion to create, |
|
|
As when she touch’d the brink of all we hate. |
|
|
|
|
|
Narcissa’s nature, tolerably mild, |
|
|
To make a wash, would hardly stew a child; |
|
55 |
Has ev’n been prov’d to grant a Lover’s pray’r, |
|
|
And paid a Tradesman once to make him stare; |
|
|
Gave alms° at Easter, in a Christian trim, |
charity |
|
And made a Widow happy, for a whim. |
|
|
Why then declare Good-nature is her scorn, |
|
60 |
When ’tis by that alone she can be borne? |
|
|
Why pique all mortals, yet affect° a name? |
put on |
|
A fool to Pleasure, yet a slave to Fame: |
|
|
Now deep in Taylor and the Book of Martyrs, |
|
|
Now drinking citron with his Grace and Chartres: |
|
65 |
Now Conscience chills her, and now Passion burns; |
|
|
And Atheism and Religion take their turns; |
|
|
A very Heathen in the carnal part, |
|
|
Yet still a sad, good Christian at her heart. |
|
|
|
|
|
See Sin in State, majestically drunk; |
|
70 |
Proud as a Peeress, prouder as a Punk;° |
prostitute |
|
Chaste to her Husband, frank to all beside, |
|
|
A teeming° Mistress, but a barren Bride. |
fertile |
|
What then? let Blood and Body bear the fault, |
|
|
Her Head’s untouch’d, that noble Seat of Thought: |
|
75 |
Such this day’s doctrine—in another fit |
|
|
She sins with Poets thro’ pure Love of Wit. |
|
|
What has not fir’d her bosom or her brain? |
|
|
Caesar and Tallboy, Charles and Charlemagne. |
|
|
As Helluo, late Dictator of the Feast, |
|
80 |
The Nose of Hautgout, and the Tip of Taste, |
|
|
Critick’d your wine, and analyz’d your meat, |
|
|
Yet on plain Pudding deign’d at home to eat; |
|
|
So Philomede, lecturing all mankind |
|
|
On the soft Passion, and the Taste refin’d, |
|
85 |
Th’ Address, the Delicacy—stoops at once, |
|
|
And makes her hearty meal upon a Dunce. |
|
|
|
|
|
Flavia’s a Wit, has too much sense to Pray; |
|
|
To Toast our wants and wishes, is her way; |
|
|
Nor asks of God, but of her Stars, to give |
|
90 |
The mighty blessing, “while we live, to live.” |
|
|
Then all for Death, that Opiate of the soul! |
|
|
Lucretia’s dagger, Rosamonda’s bowl. |
|
|
Say, what can cause such impotence of mind? |
|
|
A spark° too fickle, or a Spouse too kind. |
man |
95 |
Wise Wretch! with Pleasures too refin’d to please; |
|
|
With too much Spirit to be e’er at ease; |
|
|
With too much Quickness ever to be taught; |
|
|
With too much Thinking to have common Thought: |
|
|
You purchase Pain with all that Joy can give, |
|
100 |
And die of nothing but a Rage to live. |
|
|
|
|
|
Turn then from Wits;° and look on Simo’s Mate, |
clever people |
|
No Ass so meek, no Ass so obstinate. |
|
|
Or her, that owns her Faults, but never mends, |
|
|
Because she’s honest, and the best of Friends. |
|
105 |
Or her, whose life the Church and Scandal share, |
|
|
For ever in a Passion, or a Pray’r. |
|
|
Or her, who laughs at Hell, but (like her Grace)° |
term for a duchess |
|
Cries, “Ah! how charming, if there’s no such place!” |
|
|
Or who in sweet vicissitude° appears |
changeability |
110 |
Of Mirth and Opium, Ratafie and Tears, |
|
|
The daily Anodyne,° and nightly Draught,° |
painkiller — drink |
|
To kill those foes to Fair ones, Time and Thought. |
|
|
Woman and Fool are two hard things to hit; |
|
|
For true No-meaning puzzles more than Wit. |
|
|
|
|
115 |
But what are these to great Atossa’s mind? |
|
|
Scarce once herself, by turns all Womankind! |
|
|
Who, with herself, or others, from her birth |
|
|
Finds all her life one warfare upon earth: |
|
|
Shines, in exposing Knaves, and painting Fools, |
|
120 |
Yet is, whate’er she hates and ridicules. |
|
|
No Thought advances, but her Eddy Brain |
|
|
Whisks it about, and down it goes again. |
|
|
Full sixty years the World has been her Trade, |
|
|
The wisest Fool much Time has ever made. |
|
125 |
From loveless youth to unrespected age, |
|
|
No passion gratify’d except her Rage. |
|
|
So much the Fury still outran the Wit, |
|
|
The Pleasure miss’d her, and the Scandal hit. |
|
|
Who breaks with her, provokes Revenge from Hell, |
|
130 |
But he’s a bolder man who dares be well. |
|
|
Her ev’ry turn with Violence pursu’d, |
|
|
Nor more a storm her Hate than Gratitude: |
|
|
To that each Passion turns, or soon or late; |
|
|
Love, if it makes her yield, must make her hate: |
|
135 |
Superiors? death! and Equals? what a curse! |
|
|
But an Inferior not dependant? worse. |
|
|
Offend her, and she knows not to forgive; |
|
|
Oblige her, and she’ll hate you while you live: |
|
|
But die, and she’ll adore you—Then the Bust |
|
140 |
And Temple rise—then fall again to dust. |
|
|
Last night, her Lord was all that’s good and great; |
|
|
A Knave this morning, and his Will a Cheat. |
|
|
Strange! by the Means defeated of the Ends, |
|
|
By Spirit robb’d of Pow’r, by Warmth of Friends, |
|
145 |
By Wealth of Followers! without one distress |
|
|
Sick of herself thro’ very selfishness! |
|
|
Atossa, curs’d with ev’ry granted pray’r, |
|
|
Childless with all her Children, wants an Heir. |
|
|
To Heirs unknown descends th’ unguarded store, |
|
150 |
Or wanders, Heav’n-directed, to the Poor. |
|
|
|
|
|
Pictures like these, dear Madam, to design, |
|
|
Asks no firm hand, and no unerring line; |
|
|
Some wandering touches, some reflected light, |
|
|
Some flying stroke alone can hit ’em right: |
|
155 |
For how should equal Colours do the knack? |
|
|
Chameleons who can paint in white and black? |
|
|
|
|
|
“Yet Chloe sure was form’d without a spot—” |
|
|
Nature in her then err’d not, but forgot. |
|
|
“With ev’ry pleasing, ev’ry prudent part, |
|
160 |
Say, what can Chloe want?”—She wants a Heart. |
|
|
She speaks, behaves, and acts just as she ought; |
|
|
But never, never, reach’d one gen’rous Thought. |
|
|
Virtue she finds too painful an endeavour, |
|
|
Content to dwell in Decencies for ever. |
|
165 |
So very reasonable, so unmov’d, |
|
|
As never yet to love, or to be lov’d. |
|
|
She, while her Lover pants upon her breast, |
|
|
Can mark the figures on an Indian chest; |
|
|
And when she sees her Friend in deep despair, |
|
170 |
Observes how much a Chintz exceeds Mohair. |
|
|
Forbid it Heav’n, a Favour or a Debt |
|
|
She e’er should cancel—but she may forget. |
|
|
Safe is your Secret still in Chloe’s ear; |
|
|
But none of Chloe’s shall you ever hear. |
|
175 |
Of all her Dears she never slander’d one, |
|
|
But cares not if a thousand are undone. |
|
|
Would Chloe know if you’re alive or dead? |
|
|
She bids her Footman put it in her head. |
|
|
Chloe is prudent—Would you too be wise? |
|
180 |
Then never break your heart when Chloe dies. |
|
|
|
|
|
One certain Portrait may (I grant) be seen, |
|
|
Which Heav’n has varnish’d out, and made a Queen: |
|
|
The same for ever! and describ’d by all |
|
|
With Truth and Goodness, as with Crown and Ball. |
|
185 |
Poets heap Virtues, Painters Gems at will, |
|
|
And show their zeal, and hide their want of skill. |
|
|
’tis well—but, Artists! who can paint or write, |
|
|
To draw the Naked is your true delight. |
|
|
That robe of Quality so struts and swells, |
|
190 |
None see what Parts of Nature it conceals: |
|
|
Th’ exactest traits of Body or of Mind, |
|
|
We owe to models of an humble kind. |
|
|
If Queensbury to strip there’s no compelling, |
|
|
’tis from a Handmaid we must take a Helen. |
|
195 |
From Peer or Bishop ’tis no easy thing |
|
|
To draw the man who loves his God, or King: |
|
|
Alas! I copy (or my draught would fail) |
|
|
From honest Mah’met, or plain Parson Hale. |
|
|
|
|
|
But grant, in Public Men sometimes are shown, |
|
200 |
A Woman’s seen in Private life alone: |
|
|
Our bolder Talents in full light displayed; |
|
|
Your Virtues open fairest in the shade. |
|
|
Bred to disguise, in Public ’tis you hide; |
|
|
There, none distinguish twixt your Shame or Pride, |
|
205 |
Weakness or Delicacy; all so nice, |
|
|
That each may seem a Virtue, or a Vice. |
|
|
|
|
|
In Men, we various Ruling Passions find; |
|
|
In Women, two almost divide the kind; |
|
|
Those, only fix’d, they first or last obey, |
|
210 |
The Love of Pleasure, and the Love of Sway.° |
power |
|
|
|
|
That,° Nature gives; and where the lesson taught |
(refers to love of pleasure) |
|
Is but to please, can Pleasure seem a fault? |
|
|
Experience, this;° by Man’s oppression curst, |
(refers to love of power) |
|
They seek the second not to lose the first. |
|
|
|
|
215 |
Men, some to Business, some to pleasure take; |
|
|
But ev’ry Woman is at heart a Rake:° |
immoral man |
|
Men, some to Quiet, some to public Strife; |
|
|
But ev’ry Lady would be Queen for life. |
|
|
|
|
|
Yet mark the fate of a whole Sex of Queens! |
|
220 |
Pow’r all their end, but Beauty all the means: |
|
|
In Youth they conquer, with so wild a rage, |
|
|
As leaves them scarce a subject in their Age: |
|
|
For foreign glory, foreign joy, they roam; |
|
|
No thought of peace or happiness at home. |
|
225 |
But Wisdom’s triumph is a well-tim’d Retreat, |
|
|
As hard a science to the Fair as Great! |
|
|
Beauties, like Tyrants, old and friendless grown, |
|
|
Yet hate repose, and dread to be alone, |
|
|
Worn out in public, weary ev’ry eye, |
|
230 |
Nor leave one sigh behind them when they die. |
|
|
|
|
|
Pleasures the sex,° as children Birds, pursue, |
women |
|
Still out of reach, yet never out of view; |
|
|
Sure, if they catch, to spoil the Toy at most, |
|
|
To covet flying, and regret when lost: |
|
235 |
At last, to follies Youth could scarce defend, |
|
|
It grows their Age’s prudence to pretend; |
|
|
Asham’d to own they gave delight before, |
|
|
Reduc’d to feign it, when they give no more: |
|
|
As Hags hold Sabbaths, less for joy than spite, |
|
240 |
So these their merry, miserable Night; |
|
|
Still round and round the Ghosts of Beauty glide, |
|
|
And haunt the places where their Honour died. |
|
|
|
|
|
See how the World its Veterans rewards! |
|
|
A Youth of Frolics, an old Age of Cards; |
|
245 |
Fair to no purpose, artful° to no end, |
skillful |
|
Young without Lovers, old without a Friend; |
|
|
A Fop their Passion, but their Prize a Sot; |
|
|
Alive, ridiculous, and dead, forgot! |
|
|
|
|
|
Ah Friend! to dazzle let the Vain design; |
|
250 |
To raise the Thought, and touch the Heart be thine! |
|
|
That Charm shall grow, while what fatigues the Ring, |
|
|
Flaunts and goes down, an unregarded thing: |
|
|
So when the Sun’s broad beam has tir’d the sight, |
|
|
All mild ascends the Moon’s more sober light, |
|
255 |
Serene in Virgin Modesty she shines, |
|
|
And unobserv’d the glaring Orb declines. |
|
|
|
|
|
Oh! blest with Temper, whose unclouded ray |
|
|
Can make tomorrow cheerful as today; |
|
|
She, who can love a Sister’s charms, or hear |
|
260 |
Sighs for a Daughter with unwounded ear; |
|
|
She, who ne’er answers till a Husband cools, |
|
|
Or, if she rules him, never shows she rules; |
|
|
Charms by accepting, by submitting sways,° |
influences |
|
Yet has her humour most, when she obeys; |
|
265 |
Let Fops or Fortune fly which way they will; |
|
|
Disdains all loss of Tickets, or Codille;° |
a card game |
|
Spleen,° Vapours,° or Smallpox, above them all, |
depression — moodiness |
|
And Mistress of herself, though China° fall. |
plates |
|
|
|
|
And yet, believe me, good as well as ill, |
|
270 |
Woman’s at best a Contradiction still. |
|
|
Heav’n, when it strives to polish all it can |
|
|
Its last best work, but forms a softer Man; |
|
|
Picks from each sex, to make the Favorite blest, |
|
|
Your love of Pleasure, our desire of Rest: |
|
275 |
Blends, in exception to all general rules, |
|
|
Your Taste of Follies, with our Scorn of Fools: |
|
|
Reserve with Frankness, Art with Truth ally’d, |
|
|
Courage with Softness, Modesty with Pride; |
|
|
Fix’d Principles, with Fancy ever new; |
|
280 |
Shakes all together, and produces—You. |
|
|
|
|
|
Be this a Woman’s Fame: with this unblest, |
|
|
Toasts° live a scorn, and Queens may die a jest. |
beautiful women |
|
This Phoebus° promis’d (I forget the year) |
Apollo |
|
When those blue eyes first open’d on the sphere; |
|
285 |
Ascendant Phoebus watch’d that hour with care, |
|
|
Averted half your Parents’ simple Pray’r; |
|
|
And gave you Beauty, but deny’d the Pelf |
|
|
That buys your sex° a Tyrant o’er itself. |
women |
|
The generous God, who Wit and Gold refines, |
|
290 |
And ripens Spirits as he ripens Mines, |
|
|
Kept Dross for Duchesses, the world shall know it, |
|
|
To you gave Sense, Good Humour, and a Poet. |
|