Johnson on The Beggar’s Opera

From The Life of Johnson:

“The Beggar’s Opera,” and the common question, whether it was pernicious in its effects, having been introduced; — JOHNSON. “As to this matter, which has been very much contested, I myself am of opinion, that more influence has been ascribed to ’The Beggar’s Opera,’ than it in reality ever had; for I do not believe that any man was ever made a rogue by being present at its representation. At the same time I do not deny that it may have some influence, by making the character of a rogue familiar, and in some degree pleasing.” Then collecting himself, as it were, to give a heavy stroke: “There is in it such a labefactation of all principles as may be injurious to morality.”

While he pronounced this response, we sat in a comical sort of restraint, smothering a laugh, which we were afraid might burst out. In his life of Gay, he has been still more decisive as to the inefficiency of “The Beggar’s Opera" in corrupting society. But I have ever thought somewhat differently; for, indeed, not only are the gaiety and heroism of a highwayman very captivating to a youthful imagination, but the arguments for adventurous depredation are so plausible, the allusions so lively, and the contrasts with the ordinary and more painful modes of acquiring the property are so artfully displayed, that it requires a cool and strong judgement to resist so imposing an aggregate: yet, I own, I should be very sorry to have “The Beggar’s Opera" suppressed; for there is in it so much of real London life, so much brilliant wit, and such a variety of airs, which, from early association of ideas, engage, soothe, and enliven the mind, that no performance which the theatre exhibits, delights me more.