Selected Bibliography:
Eliza Haywood (1693-1756)

By Paula Backscheider,
Auburn University,

Jessica Ellis,
Auburn University,

and Heather Hicks,
Auburn University

Last revised 5 July 2005

Bibliographies

• Primary

  • Patrick Spedding, A Bibliography of Eliza Haywood (London: Pickering & Chatto, 2004).
  • James Raven and Antonia Forster, with Stephen Bending, The English Novel, 1770-99: A Bibliographical Survey of Prose Fiction Published in the British Isles (Oxford: Oxford Univ. Press, 2000).
  • Carol L. Barash, "Eliza Fowler Haywood," in An Encyclopedia of British Women Writers, ed. Paul Schlueter and June Schlueter (New York: Garland Publishing, 1988; New Brunswick, N.J.: Rutgers University Press, 1998), pp. 312-14.
  • Christine Blouch, The History of Miss Betsy Thoughtless (Peterborough, Ont.: Broadview Press, 1998), pp. 21-24. Christine Blouch, “Eliza Haywood” in Eighteenth-Century Anglo-American Women Novelists: A Critical Reference Guide, ed. Doreen Alvarez Saar and Mary Anne Schofield (New York: Macmillan, 1996), pp. 263-300.
  • George Frisbie Whicher, The Life and Romances of Mrs. Eliza Haywood (New York: Columbia University Press, 1915).
  • Arundell Esdaile, A List of English Tales and Prose Romances Printed before 1740 (London: Bibliographical Society, 1912), pp. 236-41.
  
  

• Secondary

  • Christine Blouch, Eighteenth-Century Anglo-American Women Novelists: A Reference Guide, ed. Doreen Saar and Mary Anne Schofield (New York: Macmillan, 1996), pp. 265-300.
  • Paula Backscheider, Felicity Nussbaum, and Philip B. Anderson, eds., "Eliza Haywood," in An Annotated Bibliography of Twentieth-Century Critical Studies of Women and Literature, 1660-1800 (New York and London: Garland Publishing, 1977), pp. 159-61.
  
  

Editions

• General/Collected Works

  • Selected Works of Eliza Haywood, ed. Alexander Pettit et al., two sets of three volumes (London: Pickering & Chatto, 2000-1).
  • Selected Fiction and Drama of Eliza Haywood, ed. Paula R. Backscheider (New York: Oxford University Press, 1999).
  • The Injur'd Husband, or, The Mistaken Resentment; and, Lasselia, or, The Self-Abandon'd, ed. Jerry C. Beasley (Lexington: University Press of Kentucky, 1999).
  • Fantomina and The British Recluse, in Popular Fiction by Women 1660-1730: An Anthology, ed. Paula R. Backscheider and John J. Richetti (Oxford: Clarendon, 1996).
  • The Distressed Orphan, The City Jilt, and The Double Marriage, in Three Novellas, ed. Earla A. Wilputte (East Lansing, MI: Colleagues Press, 1995).
  • Masquerade Novels of Eliza Haywood: The Masqueraders (1724-25), Fantomina (1724), The Fatal Secret (1723), Idalia (1724), introd. by Mary Anne Schofield (Delmar, N.Y.: Scholars' Facsimiles & Reprints, 1986).
  • A Present for Servants from Their Ministers, Masters, or Other Friends, and A Present for a Servant-Maid (New York: Garland Publishing, 1985).
  • The Force of Nature, Lasselia, The Injur'd Husband, The Perplex'd Duchess, in Four Novels of Eliza Haywood, introd. by Mary Ann Schofield (Delmar, N.Y.: Scholars' Facsimiles & Reprints, 1983).
  
  

• Periodicals

  • Selections from "The Female Spectator," ed. Patricia Meyer Spacks (New York: Oxford Univ. Press, 1999).
  • The Female Spectator. Being a Selection from Mrs. Eliza Haywood's Periodical, ed. Gabrielle M. Firmager (London and Bristol: Classical Press, 1993).
  • The Female Spectator: Being Selections from Mrs. Eliza Haywood's Periodical (1744-1746), ed. Mary Priestly (London: Lane, 1929).
  
  

• Plays

  • Selected Fiction and Drama of Eliza Haywood, ed. Paula R. Backscheider (New York: Oxford University Press, 1999).
  • The Plays of Eliza Haywood, ed. Valerie C. Rudolph (New York: Garland Publishing, 1983).
  
  

• Novels

  • Love in Excess, or the Fatal Enquiry, ed. David Oakleaf (1994; Peterborough, Ont.: Broadview Press, 2000).
  • The Injur'd Husband, or, The Mistaken Resentment, and Lasselia, or, The Self-Abandoned, ed. Jerry C. Beasley (Lexington: Univ. Press of Kentucky, 1999).
  • The Adventures of Eovaai, ed. Earla Wilputte (Peterborough, Ont.: Broadview Press, 1999).
  • The History of Miss Betsy Thoughtless, ed. Christine Blouch (Peterborough, Ont.: Broadview Press, 1998).
  • The History of Miss Betsy Thoughtless, ed. Beth Fowkes Tobin (Oxford: Oxford Univ. Press, 1997). Though Blouch's is the standard edition, the introduction to this book is useful.
  • Fantomina and The British Recluse, in Popular Fiction by Women 1660-1730: An Anthology, ed. Paula R. Backscheider and John J. Richetti (Oxford: Clarendon, 1996).
  • Love in Excess, or the Fatal Enquiry, ed. David Oakleaf (Peterborough, Ont.: Broadview Press, 1994).
  • The Distress'd Orphan, or, Love in a Mad-House, introd. by Deborah Nestor (New York: Published by the William Andrews Clark Memorial Library and the UCLA Center for Seventeenth- and Eighteenth-Century Studies by AMS Press, 1993). Also published by the Augustan Reprint Society, no. 267-68. A reprint of the 1726 J. Roberts edition.
  • Bath-Intrigues: In Four Letters to a Friend in London, introd. by Simon Varey (New York: AMS Press, 1992; Augustan Reprint Society no. 236, 1986).
  • A Present for Servants from Their Ministers, Masters, or Other Friends, and A Present for a Servant-Maid (New York: Garland Publishing, 1985).
  • Anti-Pamela (New York: Garland Publishing, 1975).
  • The Fortunate Foundlings (New York: Garland Publishing, 1974).
  • The History of Jemmy and Jenny Jessamy (New York: Garland Publishing, 1974).
  • Life's Progress through the Passions; or, The Adventures of Natura (New York: Garland Publishing, 1974).
  • The Agreeable Caledonian, introd. by Josephine Grieder, ed. Michael Shugrue (New York and London: Garland Publishing, 1973).
  • The Rash Resolve; or, The Untimely Discovery, introd. by Josephine Grieder, ed. Michael Shugrue (New York: Garland Publishing, 1973).
  • The Mercenary Lover, introd. by Josephine Grieder, ed. Michael Shugrue (New York: Garland Publishing, 1973).
  • Memoirs of a Certain Island adjacent to the Kingdom of Utopia, introd. by Josephine Grieder, ed. Michael Shugrue (New York and London: Garland Publishing, 1972).
  • The Secret History of the Present Intrigues of the Court of Caramania, introd. by Josephine Grieder, ed. Michael Shugrue (New York and London: Garland Publishing, 1972).
  • Adventures of Eovaai, Princess of Ijaveo, introd. by Josephine Grieder, ed. Michael Shugrue (New York and London: Garland Publishing, 1972).
  • Philidore and Placentia, in Four Before Richardson: Selected English Novels, 1720-1727, ed. William H. McBurney (Lincoln: Univ. of Nebraska Press, 1963).
  
  

• Translations

  • Charles de Fieux, Chevalier de Mouhy, The Virtuous Villager, tr. Eliza Haywood (New York: Garland Publishing, 1975). This is a reprint of the 1742 edition published by F. Cogan, London.
  
  

Archives/Depositories

• Some letters and legal depositions are in the State Papers in the Public Record Office, London.
• Some letters are in the Sloane Manuscript Collection at the British Library.

Biographies & Biographical Notes

• Catherine Ingrassia, "Additional Information about Eliza Haywood's 1749 Arrest for Seditious Libel," Notes and Queries 44, no. 2 (June 1997): 202-204.
• Christine Blouch, "Eliza Haywood and the Romance of Obscurity," Studies in English Literature 31 (1991): 535-52.
• Gabrielle M. Firmager, "Eliza Haywood: Some Further Light on Her Background?" Notes and Queries 236, no. 2 (1991): 181-83.
• “Eliza Haywood,” in The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present, ed. Virginia Blair, Patricia Clements, and Isobel Grundy (New Haven: Yale Univ. Press, 1990), pp. 505.
• Jane Spencer, The Rise of the Woman Novelist: From Aphra Behn to Jane Austen (London: Basil Blackwell, 1986).
• Jerry C. Beasley, "Eliza Haywood," in Dictionary of Literary Biography, vol. 39, parts 1 & 2, British Novelists 1660-1800, ed. Martin C. Battestin (Detroit: Bruccoli Clark, 1985), pp. 251-59.
• Mary Anne Schofield, Eliza Haywood (Boston: Twayne, 1985).
• Jane Spenser, "Eliza Haywood," in A Dictionary of British and American Women Writers, 1660-1800, ed. Janet Todd (Totowa, N.J.: Rowman & Allanheld, 1985), pp. 157-60.
• John R. Elwood, "Henry Fielding and Eliza Haywood: A Twenty Year War," Albion 5 (Fall 1973): 184-92.
• Edward G. Fletcher, "The Date of Eliza Haywood's Death," Notes and Queries 166 (1934): 385.
• George Frisbie Whicher, The Life and Romances of Mrs. Eliza Haywood (New York: Columbia Univ. Press, 1915).

Criticism

• Haywood's Periodicals

  • Juliette Merritt, Beyond Spectacle: Eliza Haywood’s Female Spectators (Toronto: Univ. of Toronto Press, 2004).
  • Rachel Carnell, "It's Not Easy Being Green: Gender and Friendships in Eliza Haywood's Political Periodicals," Eighteenth-Century Studies 32 (1998-99): 199-214.
  • Maria Jesus Lorenzo Modia, "The Female Spectator: An Experiment in Women’s Press in the Eighteenth Century,” Grove: Working Papers on English Studies 5 (1998): 45-56.
  • Kathryn Shevelow, "Gender Specialization and the Feminine Curriculum: The Periodical for Women," in Women and Print Culture (London: Routledge, 1989), pp. 146-90.
  • Ann Messenger, "Educational Spectators: Richard Steele, Joseph Addison, and Eliza Haywood," in His and Hers: Essays in Restoration and Eighteenth-Century Literature (Lexington: University Press of Kentucky, 1986), pp. 108-47.
  • James F. Woodruff, "The Authorship of the Tattler Revived, 1750," Notes and Queries n.s. 30, no. 6 (Dec. 1983): 524-25.
  • Helene Koon, "Eliza Haywood and The Female Spectator," Huntington Library Quarterly 42 (1978): 42-55.
  • Alison Adburgham, Women in Print: Writing Women and Women's Magazines from the Restoration to the Accession of Victoria (London: Allen & Unwin, 1972).
  • James Hodges, "The Female Spectator, A Courtesy Publication," in Studies in the Early English Period, ed. Richmond P. Bond (Chapel Hill: Univ. of North Carolina Press, 1957), pp. 153-82.
  • James Hodges, "A Study of the Female Spectator (1744-1746)," University of North Carolina Record 492 (1952): 129-31.
  • Bertha Monica Stearns, "Early English Periodicals for Ladies," PMLA 48 (1933): 38-60.
  • J. B. Priestly, Introduction to The Female Spectator, by Eliza Haywood, ed. Mary Priestly (London: John Lane, 1929), pp. vii-xv.
  
  

• Haywood & Theatre

  • Earla A. Wilputte, "Wife Pandering in Three Eighteenth-Century Plays," Studies in English Literature, 1500-1900 38, no. 3 (Summer 1998): 447-64.
  • Paula R. Backscheider, "The Shadow of an Author: Eliza Haywood," Eighteenth-Century Fiction 11 (1998): 79-102.
  • Earla A. Wilputte, "Wife Pandering in Three Eighteenth-Century Plays," Studies in English Literature, 1500-1900 38, no. 3 (Summer 1998): 447-64.
  • Polly Stevens Fields, "Manly Vigor and Woman's Wit: Dialoguing Gender in the Plays of Eliza Haywood," in Compendious Conversations: The Method of Dialogue in the Early Enlightenment, ed. Kevin Cope (Frankfurt: Peter Lang, 1992), pp. 257-66.
  • Robert D. Hume, Henry Fielding and the London Theatre 1728-1737 (Oxford: Clarendon Press, 1988).
  • Jacqueline Pearson, "Minor Women Dramatists, 1700-1737," in The Prostituted Muse: Image of Women and Women Dramatists 1642-1737 (London: Harvester, Wheatsheaf; New York: St. Martin's, 1988), pp. 229-55.
  • Marcia Heinemann, "Eliza Haywood's Career in the Theatre," Notes and Queries n.s. 20, no. 1 (Jan. 1973): 9-13.
  • John R. Elwood, "The Stage Career of Eliza Haywood," Theatre Survey 5, no. 2 (Nov. 1964): 107-115.
  
  

• General Studies

  • Books

    • Janine Barchas, Graphic Design, Print Culture, and the Eighteenth-Century Novel (Cambridge: Cambridge Univ. Press, 2003).
    • Alison Conway, Private Interests: Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791 (Toronto: Univ. of Toronto Press, 2001).
    • Paula R. Backscheider, Revising Women: Eighteenth-Century "Women’s Fiction" and Social Engagement (Baltimore: Johns Hopkins Univ. Press, 2000).
    • Kirsten T. Saxton and Rebecca P. Bocchicchio, eds., The Passionate Fictions of Eliza Haywood: Essays on Her Life and Work (Lexington: Univ. Press of Kentucky, 2000).
    • Catherine Ingrassia, Authorship, Commerce, and Gender in Early Eighteenth-Century England: A Culture of Paper Credit (New York: Cambridge Univ. Press, 1998).
    • William B. Warner, Licensing Entertainment: The Elevation of Novel Reading in Britain, 1684-1750 (Berkeley: Univ. of California Press, 1998).
    • Toni Bowers, The Politics of Motherhood: British Writing and Culture, 1680-1760 (Cambridge: Cambridge Univ. Press, 1996).
    • Margaret Rose, Political Satire and Reforming Vision in Eliza Haywood's Works (Milano: Europrint Publications, 1996).
    • Paula R. Backscheider, Spectacular Politics: Theatrical Power and Mass Culture in Early Modern England (Baltimore: Johns Hopkins Univ. Press, 1993).
    • Catherine Craft-Fairchild, Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fiction by Women (University Park: Penn State Univ. Press, 1993).
    • Ros Ballaster, Seductive Forms: Women's Amatory Fiction from 1684 to 1740 (Oxford: Clarendon Press, 1992).
    • John J. Richetti, Popular Fiction before Richardson: Narrative Patterns, 1700-1739 (1969; Oxford: Clarendon, 1992).
    • Cheryl Turner, Living by the Pen: Women Writers in the Eighteenth Century (London and New York: Routledge, 1992).
    • Katherine Sobba Green, The Courtship Novel 1740-1820: A Feminized Genre (Lexington: Univ. Press of Kentucky, 1991).
    • J. Paul Hunter, Before Novels: The Cultural Contexts of Eighteenth-Century English Fiction (New York: W. W. Norton, 1990).
    • Mary Anne Schofield, Masking and Unmasking the Female Mind: Disguising Romances in Feminine Fiction, 1713-1799 (Newark: Univ. of Delaware Press; London: Associated Univ. Presses, 1990).
    • Marilyn L. Williamson, Raising Their Voices: British Women Writers, 1650-1750 (Detroit: Wayne State Univ. Press, 1990).
    • Janet M. Todd, The Sign of Angellica: Women, Writing and Fiction, 1660-1800 (New York: Columbia Press; London: Virago Press, 1989).
    • Ann Messenger, His and Hers: Essays in Restoration and Eighteenth-Century Literature (Lexington: Univ. Press of Kentucky, 1986).
    • Jane Spenser, The Rise of the Woman Novelist: from Aphra Behn to Jane Austen (Oxford: Basil Blackwell, 1986).
    • Mary Anne Schofield, Eliza Haywood (Boston: Twayne, 1985).
    • Jerry C. Beasley, Novels of the 1740s (Athens: Univ. of Georgia Press, 1982).
    • Katherine M. Rogers, Feminism in Eighteenth-Century England (Urbana: Univ. of Illinois Press, 1982).
    • Mary Anne Schofield, Quiet Rebellion: The Fictional Heroines of Eliza Fowler Haywood (Washington, D.C.: Univ. Press of America, 1982).
    • Ruth Perry, Women, Letters, and the Novel (New York: AMS Press, 1980).
    • John J. Richetti, Popular Fiction before Richardson: Narrative Patterns 1700-1739 (Oxford: Clarendon Press, 1969).
    • Robert Adams Day, Told in Letters: Epistolary Fiction before Richardson (Ann Arbor: Univ. of Michigan Press, 1966).
    • Robert D. Mayo, The English Novel in the Magazines 1740-1815: With a Catalogue of 1735 Magazines, Novels and Novelettes (Evanston: Northwestern Univ. Press; London: Oxford Univ. Press, 1962).
    • B. G. MacCarthy, The Female Pen, vol. 2, The Later Women Novelists, 1744-1818 (Cork: Cork Univ. Press; Oxford: B. H. Blackwell, 1947).
    • B. G. MacCarthy, The Female Pen, vol. 1, Women Writers: Their Contribution to the English Novel, 1621-1744 (Cork: Cork Univ. Press; Oxford: B. H. Blackwell, 1944).
    • Joyce M. Horner, The English Women Novelists and Their Connection with the Feminist Movement (1688-1797), Smith College Studies in Modern Languages, vol. 11, nos. 1-3 (Northampton, Mass.: Smith College, 1929).
    • Myra Reynolds, The Learned Lady in England 1650-1760 (Boston: Houghton Mifflin, 1920).
    • Charlotte E. Morgan, The Rise of the Novel of Manners: A Study of English Prose Fiction Between 1600 and 1740 (New York: Columbia Univ. Press, 1911).
    
    

  • Essays

    • Scott Black, "Trading Sex for Secrets in Haywood's Love in Excess," Eighteenth-Century Fiction 15, no. 2 (2003): 207-26.
    • Marta Kvande, "The Outsider Narrator in Eliza Haywood's Political Novels," Studies in English Literature, 1500-1900 43, no. 3 (Summer 2003): 625-43.
    • Melissa Mowry, "Eliza Haywood's Defense of London's Body Politic," Studies in English Literature, 1500-1900 43, no. 3 (Summer 2003): 645-65.
    • Tiffany Potter, "The Language of Feminised Sexuality: Gendered Voice in Eliza Haywood's Love in Excess and Fantomina," Women's Writing 10 (2003): 169-86.
    • Toni Bowers and Stephanie Harzewski, "An Unfinished Renaissance: New Editions of Eliza Haywood," The Age of Johnson: A Scholarly Annual 13 (2002): 473-503.
    • Margo Collins, "Eliza Haywood's Cross-Gendered Amatory Audience," Eighteenth-Century Women: Studies in Their Lives, Work, and Culture 2 (2002): 43-60.
    • Robert W. Jones, "Eliza Haywood and the Discourse of Taste," in Authorship, Commerce and the Public: Scenes of Writing, 1750-1850, ed. E. J. Clery, Caroline Franklin, and Peter Garside (Basingstoke: Palgrave Macmillan, 2002), pp. 103-19.
    • Donna Kuizenga, "Writing in Drag: Strategic Rewriting in the Early Epistolary Novel," in Strategic Rewriting, ed. David Lee Rubin (Charlottesville, Virginia: Rookwood, 2002), pp. 149-72.
    • Cheryl L. Nixon, "'Stop a Moment at this Preface': The Gendered Paratexts of Fielding, Barker, and Haywood," Journal of Narrative Theory 32, no. 2 (Summer 2002): 123-53.
    • Douglas A. Northrop, "The Lively Heroine: Eliza Haywood's Later Novels as Conduct Books," in Proceedings of the Tenth Annual Northern Plains Conference on Earlier British Literature, ed. Barbara Olive and David Sprunger (Moorhead, Minnesota: Concordia College Publishers, 2002), pp. 32-41.
    • Alexander Pettit, "Adventures in Pornographic Places: Eliza Haywood's Tea-Table and the Decentering of Moral Argument,” Papers on Language and Literature 38, no. 3 (Summer 2002): 244-69.
    • Alexander Pettit, "Our Fictions and Eliza Haywood's Fictions," in Talking Forward, Talking Back: Critical Dialogues with the Enlightenment, ed. Rudiger Ahrens and Kevin L. Cope (New York: AMS Press, 2002), pp. 145-66.
    • Sarah Prescott, "A Market Share: Recent Editions of Eighteenth-Century Writings by Women," Women's Writing 9, no. 2 (2002): 317-23.
    • Shea Stuart, "Subversive Didacticism in Eliza Haywood's Betsy Thoughtless,” Studies in English Literature, 1500-1900 42, no. 3 (Summer 2002): 559-75.
    • Helen Thompson, "Plotting Materialism: W. Charleston's The Ephesian Matron, E. Haywood's Fantomina, and Feminine Consistency," Eighteenth-Century Studies 35, no. 2 (Winter 2002): 195-214.
    • Earla Wilputte, "'Room to Fable upon': The History of Charles XII of Sweden in Eliza Haywood's The Fortunate Foundlings,” Eighteenth-Century Novel 2 (2002): 23-44.
    • Miranda J. Burgess, "Bearing Witness: Law, Labor, and the Gender of Privacy in the 1720's,” Modern Philology 98, no. 3 (2001): 393-422.
    • Tiffany Potter, "'A God-Like Sublimity of Passion': Eliza Haywood's Libertine Consistency," Eighteenth-Century Novel 1 (2001): 95-126.
    • Valerie Rumbold, ="Cut the Caterwauling: Women Writers (Not) in Pope's Dunciads," The Review of English Studies, n.s. 52, no. 208 (2001): 524-39.
    • Patrick Spedding, "Shameless Scribbler or Votary of Virtue? Eliza Haywood, Writing (and) Pornography in 1742," in Women Writing, 1550-1750, ed. Jo Wallwork and ed. and introd. by Paul Salzman (Bundoora, Australia: Meridian, 2001), pp. 237-51.
    • Jennifer Thorn, "'Althea Must Be Open'd': Eliza Haywood, Individualism, and Reproductivity," Eighteenth-Century Women: Studies in Their Lives, Work, and Culture 1 (2001): 95-127.
    • Todd Parker, "Haywood's Philodore and Placentia, or What the Eunuch Lost," in Sexing the Text: The Rhetoric of Sexual Difference in British Literature, 1700-1750 (Albany: State Univ. of New York Press, 2000), pp. 119-34.
    • Srinivas Aravamudan, "In the Wake of the Novel: The Oriental Tale as National Allegory," Novel 33 (1999): 5-31.
    • Ros Ballaster, "Contexts, Intertexts, Metatexts: Eighteenth-Century Prose by Women," Eighteenth-Century Fiction 11, no. 3 (April 1999): 347-58.
    • Felicity Nussbaum, "Dumb Virgins, Blind Ladies, and Eunuchs: Fictions of Defect," in "Defects": Engendering the Modern Body, ed. Helen Deutsch and Felicity Nussbaum (Ann Arbor: Univ. of Michigan Press, 1999), pp. 31-53.
    • David Oakleaf, "The Eloquence of Blood in Eliza Haywood's Lasselia," Studies in English Literature 1500-1900 39, no. 3 (Summer 1999): 483-98.
    • Patrick Spedding, "Eliza Haywood's Last ('Lost') Work,” Bibliographical Society of Australia and New Zealand Bulletin 23 (1999): 131-47.
    • Gabrielle G. Starr, "Rereading Prose Fiction: Lyric Convention in Aphra Behn and Eliza Haywood," Eighteenth-Century Fiction 12, no. 1 (1999): 1-18.
    • Ros Ballaster, "Contexts, Intertexts, Metatexts: Eighteenth-Century Prose by Women," Eighteenth-Century Fiction 11, no. 3 (April 1999): 347-58.
    • Christopher Flint, "The Erotic and the Domestic in The History of Miss Betsy Thoughtless," in Family Fictions: Narrative and Domestic Relations in Britain, 1688-1798 (Stanford: Stanford Univ. Press, 1998), pp. 207-48.
    • Stephen J. Hicks, "Eliza Haywood's Letter Technique in Three Early Novels (1721-1727)," Papers on Language & Literature 34, no. 4 (Fall 1998): 420-36.
    • Catherine Ingrassia, "Fashioning Female Authorship in Eliza Haywood's The Tea Table," Journal of Narrative Technique 28, no. 3 (Fall 1998): 287-304.
    • Paula R. Backscheider, "The Shadow of an Author: Eliza Haywood," Eighteenth-Century Fiction 11 (Oct. 1998): 79-100.
    • Stephen J. Hicks, "Eliza Haywood's Letter Technique in Three Early Novels (1721-1727)," Papers on Language & Literature 34, no. 4 (Fall 1998): 420.
    • Kathryn R. King, "Spying Upon the Conjurer: Haywood, Curiosity, and 'The Novel' in the 1720s," Studies in the Novel 30, no. 2 (Summer 1998): 178-93.
    • Alexander Pettit, "Our Fictions and Eliza Haywood's Fictions," in Talking Forward, Talking Back: Critical Dialogues with the Enlightenment, ed. Rudiger Ahrens and Kevin L. Cope (New York: AMS Press, 1998).
    • Eve Taylor Bannet, "The Marriage Act of 1753: 'A Most Cruel Law for the Fair Sex,'" Eighteenth-Century Studies 30, no. 3 (1997): 233-54.
    • Karen Hollis, "Eliza Haywood and the Gender of Print," Eighteenth Century: Theory & Interpretation 38 (Spring 1997): 43-62.
    • Sally O'Driscoll, "Outlaw Readings: Beyond Queer Theory," Signs 22, no. 1 (1996): 30-51.
    • William B. Warner, "Formulating Fiction: Romancing the General Reader in Early Modern Britain," in Cultural Institutions of the Novel, ed. Deidre Lynch and William B. Warner (Durham: Duke Univ. Press, 1996), pp. 279-305.
    • L. B. Ellis, "Engendering the Bildungsroman: The Bildung of Betsy Thoughtless," Genre 28, no. 3 (Autumn 1995): 279-302.
    • Edward W. R. Pitcher, "The Reprinting of Eliza Haywood's Stories in The Weekly Entertainer," Notes and Queries 42 (March 1995): 73-74.
    • Earla A. Wilputte, "The Textual Architecture of Eliza Haywood's Adventures of Eovaai," Essays in Literature 22 (Spring 1995): 31-44.
    • Toni Bowers, "Sex, Lies, and Invisibility: Amatory Fiction from the Restoration to Mid-Century," in The Columbia History of the British Novel (New York: Columbia Univ. Press, 1994).
    • Deborah J. Nestor, "Virtue Rarely Rewarded: Ideological Subversion and Narrative Form in Haywood's Later Fiction," Studies in English Literature 34 (Summer 1994): 579-98.
    • Katherine Anne Ackley, "Violence Against Women in the Novels of Early British Women Writers," in Living By the Pen: Early British Women Writers, ed. Dale Spender (New York: Teachers College Press, 1992), pp. 212-24.
    • Ros Ballaster, "Preparatives to Love: Seduction as Fiction in the Works of Eliza Haywood," in Living By the Pen: Early British Women Writers, ed. Dale Spender (New York: Teachers College Press, 1992), pp. 52-64.
    • Catherine A. Craft, "Reworking Male Models: Aphra Behn's Fair Vow-Breaker, Eliza Haywood's Fantomina, and Charlotte Lennox's Female Quixote," Modern Language Review 86, no. 4 (Oct. 1991): 821-38.
    • Deborah Ross, "Betsy Thoughtless and Harriet Stuart: Unacknowledged Sisters," in The Excellence of Falsehood; Romance, Realism and Women's Contribution to the Novel (Lexington: Univ. Press of Kentucky, 1991), pp. 66-93.
    • Catherine Ingrassia, "Women Writing/Writing Women: Pope, Dulness, and 'Feminization' in the Dunciad," Eighteenth-Century Life 14 (Nov. 1990): 40-58.
    • John J. Richetti, "Voice and Gender in Eighteenth-Century Fiction: Haywood to Burney," Studies in the Novel 19, no. 3 (Fall 1987): 263-72.
    • Jerry C. Beasley, "Politics and Moral Idealism: The Achievement of Some Early Women Novelists," in Fetter'd or Free? British Women Novelists 1670-1815, ed. Mary Anne Schofield and Cecilia Macheski (Athens: Ohio Univ. Press, 1986), pp. 216-36.
    • Mary Anne Schofield, "'Descending Angels': Salubrious Sluts and Pretty Prostitutes in Haywood's Fiction," in Fetter'd or Free? British Women Novelists 1670-1815, ed. Mary Anne Schofield and Cecilia Macheski (Athens: Ohio Univ. Press, 1986), pp. 186-200.
    • Mary Anne Schofield, "Exposé of the Popular Heroine: The Female Protagonists of Eliza Haywood," Studies in Eighteenth-Century Culture 12 (1983): 93-103.
    • Margaret Anne Doody, "Deserts, Ruins, and Troubled Waters: Female Dreams in Fiction and the Development of the Gothic Novel," Genre 10 (1977): 529-72.
    • Jerry C. Beasley, "Romance and the 'New' Novels of Richardson, Fielding, and Smollett," Studies in English Literature 16, no. 3 (Summer 1976): 437-50.
    • Patricia Meyer Spacks, "Ev'ry Woman is at Heart a Rake," Eighteenth-Century Studies 8, no. 1 (Fall 1974): 27-46.
    • Josephine Greider, Introduction to Adventures of Eovaai, Princess of Ijaveo, by Eliza Haywood, ed. Michael Shugrue (New York and London: Garland Publishing, 1972).
    • Josephine Greider, Introduction to Memoirs of a Certain Island adjacent to the Kingdom of Utopia, by Eliza Haywood, ed. Michael Shugrue (New York and London: Garland Publishing, 1972).
    • Josephine Greider, Introduction to The Secret History of the Present Intrigues of the Court of Caramania, by Eliza Haywood, ed. Michael Shugrue (New York and London: Garland Publishing, 1972).
    • Virginia Woolf, "A Scribbling Dame," in The Essays of Virginia Woolf, ed. Andrew McNellie, vol. 2, 1912-1918 (San Diego, New York, London: Harcourt Brace Jovanovich, 1918), pp. 22-26.
    
    
  
  

Electronic Resources

• Haywood Homepage, http://www.geocities.com/Athens/Forum/7234/.

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